Director Carlos Brooks sets out to tell a modern day detective story with his first feature-length film.
The Latin phrase Quid Pro Quo refers to equal exchange, usually in a legal context. In director Carlos Brooks’ new movie of the same name, however, the repercussions of this tit for tat agreement concern not property or tangible goods, but psychological reciprocation. Quid Pro Quo the film follows paraplegic hero Isaac Knot (Nick Stahl), a reporter for public radio investigating a community of “wannabes,” able-bodied persons who long to be disabled. In his sleuthing Isaac encounters Fiona (Vera Farmiga), a seductress who herself fantasizes of life in a wheelchair.
The film marries allusions to Hitchcock with an exploration of a mysterious subculture while investigating Isaac and Fiona’s emotional plight. Their unconventional romance, and the film as a whole, is unusual and twisted, but tender, too. Outlandish as its premise may seem, it is ultimately a grounded story about the quest to be an “authentic” individual. Brooks spoke to ARTISTdirect about his first feature-length project, discovering wannabe culture, and writing a modern day detective story.
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